Human Vision · Claude Engineering · Real Products
A botanical hair-care brand, brought to life through product imagery, original films and a working Shopify store.

The original bottle sets the palette: matte green, a terracotta dropper and a palm emblem. That same identity carries through the oil, the ampoule protocol and the storefront.
A close study of the bottle in warm light, followed by the source product photographs. The shape, dropper and lettering stay consistent across the presentation.




Explore the products, compare the rituals and select an offer. These recordings show the real storefront on desktop and mobile, including the product and button changing with each selection.


Two genuine, separately dated artifacts. In September, a Claude Design homepage redesign was approved as the reference for the chapters below the hero: “Feed the scalp. The rest follows.” The owner's binding brief kept the existing hero as it was. The storefront shows the same product identity and arch composition with its own October copy.


“Preserve desktop, mobile, interactions, animations, live HTML copy, and placeholders.”
Retrieved the design and wrote a transfer audit before touching the storefront.
if (!this.heal()) return;
Added to an animation tick that previously checked only this.dead. The recorded change is the one line; no performance claim is made for it.
Who did what: Claude Design for the September exports; Claude Code for the August transfer, motion runtime and repair; Codex and the Shrine commerce foundations for the storefront's commerce layer and later integration; Higgsfield for the July film and the October macro. No single tool made the store.
The July film and the campaign stills built the brand's world around a single bottle: stone, raking light, a ritual at the mirror. The environments are generated; the product layers are the real photographs, locked. The people in the stills are illustrations, never customers.






July film: Seedance 2.0 through Higgsfield, 8 s, approved 23 July · stills: generated environments with locked supplied product layers · synthetic people are illustrations, not testimonials · the mobile film was rejected and is not used